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Royal Goldsmiths: The Art of Rundell & Bridge 1797-1843
A loan exhibition in support of The Princes Trust
Koopman Rare Art London June 14--July 1, 2005

About the Exhibition
The Book
The Princes Trust
Sponsors
Press enquiries
How to order the book
Koopman Rare Art
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| Rundell & Bridge: Who were they? |
Artists such as John Flaxman, Thomas Stothard, Edward Hodges Baily were among the many who designed
and modelled silverware for Rundell & Bridge, the Royal Goldsmiths who served two monarchs - George III
and his son the Prince Regent (later George IV). It was a period of unparalleled prosperity in Britain
during which patrons, led by the colourful Prince Regent, commissioned objects of silver, silver-gilt and
even gold in the finest taste. Philip Rundell and John Bridge were well placed to respond to this new
fashion for opulence. Directing their workshops from 1802 were the silversmith Benjamin Smith and the
designer Digby Scott; and after Paul Storr, the most celebrated English silversmith of the period, took
charge in 1807, the workshop grew until it employed the talents of several hundred gifted designers,
modellers, chasers and engravers. It was a successful blending of art and industry that remains unsurpassed
in the decorative arts.
The firm Rundell & Bridge were appointed Royal Goldsmiths, Silversmiths, Jewellers and Medallists in 1797
and held the Royal Warrant until 1843.
Yet Rundell & Bridge did more than promote innovative styles; they marketed new types of tableware. Despite
the threat of invasion by Napoleon, the British enthusiastically embraced not only new designs from France,
such as those inspired by the surge of Egyptomania, but new customs of the tabletop.
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